風景切片
作品〈風景切片〉透過「光」來表現不同個體間的交流方式，進行一場「風景」與「風景」交流的儀式。基因、成長歷程與數不盡的偶然性，形塑著我們的「自我」。人們透過各種方式與他人交流，閱讀彼此、分享際遇，同時也像在觀看一幅畫，或一個截然不同的世界，然後再透過他人的視角來豐富自我的世界，增艷內心的「風景」。這裡指涉的風景即是光。
Through “light“, the work Interval of Scenery ‘s interaction between different individuals is embodied—an exchange ritual between one “scenery” and another. Gene, experiences of growing up and countless contingencies have shaped us little by little into unique individuals and created the world of “I.” People employ varied ways to interact with others. We read each other and share our different encounters, which is like viewing a painting or witnessing an utterly different world. Then, we enrich our world via others’ perspectives to render our inner “scenery” more colorful, which, in this case, refers to the light.
2021
複合媒材
Mixed media
7m(寬)×7m(高)×3.3m(深)
7m(W)×7m(H)×3.3m(D)
江元皓
江元皓1972年生於臺灣。2002年畢業於法國里昂藝術學院。作品從以往透過人體動態及其線條的力與美來傳達個人經驗與感動，至後來探討人體的形與其功能之間的關係、個體在群體之間的互動所衍生的聯想及疑惑，表徵一個當代的真實－人體不再只是容納生理組織和精神的軀殼。
Iuan-Hau CHIANG(b. 1972) was born in Taiwan. He graduated from l’École Nationale des Beaux-Arts de Lyon in 2002. His exploration of artistic expression has also evolved from delivering personal experience and what moved him through bodily movement and the power and beauty expressed by the human body to a wider range of topics, including the relation between the bodily form and its function as well as associations and confusions derived from interaction between individuals and the collective, embodying a contemporary truth—the human body is no longer just biological tissues and a shell of the spirit. Its tangible existence and its connection to the environment also evolve through the change of time.
